Look Homeward, Angel: Letterio Calapai’s Wood Engravings of the Asheville-Inspired Novel
Meticulous wood engravings by Letterio Calapai interpret Thomas Wolfe’s Look Homeward, Angel through a 1929 folio of black and white prints that trace Asheville’s autobiographical streets; on view through Feb. 22, 2026.
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Intricate wood engravings by Letterio Calapai interpret Thomas Wolfe’s 1929 Asheville set novel through a folio of narrative prints, highlighting dense linework, tonal contrasts, and evocative mountain town scenes for printmaking enthusiasts.
Intricate wood engravings by Letterio Calapai interpret Thomas Wolfe’s 1929 Asheville set novel through a folio of narrative prints, highlighting dense linework, tonal contrasts, and evocative mountain town scenes for printmaking enthusiasts.
Intricate wood engravings by Letterio Calapai interpret Thomas Wolfe’s 1929 Asheville set novel through a folio of narrative prints, highlighting dense linework, tonal contrasts, and evocative mountain town scenes for printmaking enthusiasts.
Letterio Calapai's intricately carved wood engravings evoke animals and fantastic beasts drawn from a medieval bestiary and Thomas Wolfe's Look Homeward, Angel, presenting literary and regional narratives in a focused museum gallery show.
Letterio Calapai's intricately carved wood engravings evoke animals and fantastic beasts drawn from a medieval bestiary and Thomas Wolfe's Look Homeward, Angel, presenting literary and regional narratives in a focused museum gallery show.
Letterio Calapai's intricately carved wood engravings evoke animals and fantastic beasts drawn from a medieval bestiary and Thomas Wolfe's Look Homeward, Angel, presenting literary and regional narratives in a focused museum gallery show.
Contemporary works by female artists rooted in the Pacific Northwest, emphasizing material mastery across painting, fiber, ceramics, and mixed-media installations in the Asheville Art Museum's bright gallery; runs through May 17, 2026.
Contemporary works by female artists rooted in the Pacific Northwest, emphasizing material mastery across painting, fiber, ceramics, and mixed-media installations in the Asheville Art Museum's bright gallery; runs through May 17, 2026.
Contemporary works by female artists rooted in the Pacific Northwest, emphasizing material mastery across painting, fiber, ceramics, and mixed-media installations in the Asheville Art Museum's bright gallery; runs through May 17, 2026.
Generous installation of studio ceramics from Gail and Brian McCarthy’s collection highlighting forty-five years of Highwater Clays’ influence on WNC pottery, on view at Asheville Art Museum through April 26, 2026.
Generous installation of studio ceramics from Gail and Brian McCarthy’s collection highlighting forty-five years of Highwater Clays’ influence on WNC pottery, on view at Asheville Art Museum through April 26, 2026.
Generous installation of studio ceramics from Gail and Brian McCarthy’s collection highlighting forty-five years of Highwater Clays’ influence on WNC pottery, on view at Asheville Art Museum through April 26, 2026.